thirdearthmusic.com
 
posted: 9-29-02
interview: tadah
part 1 | part 2
 
Let's talk about the album first. What can you tell us about it?
It's my debut solo album and it's called "Attack Of The Attacking Things". It dropped August 6th on Third Earth Music. It took a while for me to get a solo release out, but that was more due to me not wanting to stop recording, but to keep working on it. Until I had a deadline, and it was a definite thing, then I knew I had to put it out immediately.
It's a mostly personal album. It has some old flavors and it's definitely not your run of the mill, what you would hear on the radio, commercial album. It's not a party album either. It's a kind of introspective, thought provoking album.
There's just twelve songs on the album, how come?
 

I did want to keep it a little short. There's no features on it, cause I was used to do lots of cameos and working for other people. So I wanted to keep it just myself; no guest appearances. And keep it short and sweet and to the point. The next album will probably be longer. In fact I'm even thinking about doing a double album.
When I look at the list of producers, that includes Mr. Len, Da Beatminers, Masta Ace: you were on each of their records. So it's almost like: 'okay, I will be on your album, but you gotta do a beat for my album.'
I don't think it was necessarily consciously done like that, it's just that those are the people that I consider family, and that are around and I work with. And when I asked them if they'd be willing to contribute, even if I hadn't done anything for them, it definitely would have worked out. I'm very picky about my beats. And I wanted people who could do emotional work. I definitely am very blessed to have them work with me for the budget that I had, which was pretty much zero. Or a little bit below zero.
You mentioned that it's a personal album, so maybe you can go into detail what you talk about.
Experiences I've been through, whether love wise or just experienced being in the music business. And even if it's not necessarily a personal song, it's a social commentary, like "Block Party". I don't wanna be very preachy to people however, but everyone has their opinions.

And I don't think I'm overly opinionated, I'm just stating my views on things. I think if you don't speak your mind, but you're willing to hold your tongue, then you're not doing your job as an emcee. If you are able to have a captive audience, why not say something?
Let's get into a couple of tracks, like the track you mentioned: "Block Party", where you talk about the need for people to go places. If you'd have a bus full of folks, where would you take them to?
I don't think "Block Party" was necessarily about me taking people places, it was more about 'you need to get out on your own and see what's out there.' Instead of being so close minded, whether it may be with music, or political views, or your personal views on life. I'm not trying to change anyone's ideas. We don't have to agree on everything, but it's easier when you know that there's a choice of things out there for you to do. Whether it's what you are going to do with your life, or what music you are going to listen to. I think there's a whole world of opportunities out there that mainly inner city kids don't get to see. And I think it's good for them to know, that you don't have to have money, to educate yourself about the world around you. It's very easy to take a trip off your block to see what else is going on out there. There's kids that have never been off their block. And it's not necessarily their fault for not doing that. But I also think other people who have they have the chance to come in contact with them, aren't sharing their knowledge. And it's solely unfair and it's holding us back and is keeping us very stagnant.
Now if I'd get up and get over to New York, where would you take me to?
Uhm, hmm... I like to eat (smiles).
I like to eat too.
So I'd take you to different restaurants in different neighborhoods. Because it's always interesting: you can always meet different people from so many different backgrounds. There are so many people that you wouldn't think that you are able to relate to. You never know if you have something in common with someone in Tibet. Unless you go there and find out yourself. So that's definitely an interesting place to meet people from different social settings. Not even having to worry about if you fit in or not.
Now, if you get up and go to places, and take the subway to get there, what do you think is most interesting when you ride the subway?
I think in New York it's just interesting the way people interact with each other, which is actually, you don't interact with anyone in the train. Like you never wanna keep eye contact for too long. It just seems very invasive (laughs). New York seems to be very protective of their own personal space. New York is kinda like: 'this is my space, this is your space: why are you walking so close to me?' Probably because the city is so packed. It feels like you have to have your little protective barrier around you all the time. You know, I've had some interesting experiences with people on the train. Where everybody kinda feels like they bond.
I don't know, I kinda try to stay in my own little world, especially when travelling I kinda always keep a walkman on.
Now I do have the track listing somewhere, but I didn't have it with me when I was listening to it, and I don't have it in front of me right now. But I was listening to track number three a couple of times, and I was wondering if it's just the obvious: you writing in a male perspective. As at the same time I was thinking, that you could easily be taking the position of God, then again even a woman, then again, it might be a song, where everyone can think him/herself into it, and read everything into it. As just every possibility feels kinda right. Does this make any sense?
Yeah, that is very interesting. That track is actually called "God's Gift". Originally it is written from a male perspective. But a lot of people have come to me, with different perceptions of it. And that's fine, you know. Whatever different people wanna read into it, even if I originally intended it to be something different, after the CD goes out of my hands, it's kinda like: however you chose to interpret it is fine. I think that's the beauty of a lot of things, just leaving it a little bit open for everyone to draw their own decisions from it.
So it's more that than 'oh, you didn't get my point.'
Sometimes it does get to be a little irritating I think. Like with the cut from the Masta Ace album "Hold You": I thought it was pretty much obvious that I was rhyming from the perspective of a microphone. But a lot of people didn't get it, and thought that I was rhyming as his girlfriend. And that'll get me a little bit. And it sorta tells me that people aren't really listening. But if it's something like "God's Gift", I don't mind if it's a little open to everybody's judgment. That's fine.
But what had you write a song out of the perspective of a man?
I actually really didn't have it planned when I got the tape with the beats on it. I went through it and that was the one that grabbed me. At times when I start writing, I don't have planned out what I'm going to write before I actually do it. And so I go wherever the beat leads me. And in this case, that's what I immediately started to write; that was where the beat took me, what I felt like I should be saying.
Machismo is very much part of hip hop. At the same time feminism is very much not part of hip hop. However, these are opposites that could cause a friction that might even forward the whole art. What are your thoughts on that?
I'm not much for the either of them. I'm very much for creativity and individualism (smiles). Whether or not you're male or female, it's about having guts enough to just be yourself, and not follow the formula of everything that's going on. There's nothing wrong with being a braggadocios emcee; you have to do that. Everybody's gotta have spit tracks. And I think there's a difference between what machismo should be and the level they are taking it to nowadays. Which is you are more of a man by degrading women. And that doesn't work out well with me.
I don't like to flaunt the whole female bit. Obviously you can tell I'm female, and there's different topics that I can touch on, because I am. But it's not necessarily something that I need to promote. It's very obvious. Let's not keep running over that again and again (smiles); let's just get on with the music. And there doesn't necessarily need to be an answer record to every male record, with a girl answering back, and then the guy answering back. Why would you worry about what everybody else is doing? I don't think enough people are concerned with just themselves, instead of hating on everything else that comes out. So I'm very much just for everyone just doing their own thing.
And you're not Roxanne Shante.
Yeah exactly (laughs). And that too.
Then again, if you think about it: if some archaeologist digs up some old records in the future, don't you think that the female voice is rather if not severely under represented in hip hop.
Oh of course. I think even if there's as many females out as there are now, the female voice is still under represented, because most of the stuff is written by males. I think in mainstream music, yes. I think there are a lot of females in the underground who are definitely trying to come up and say something and not necessarily just for the point of 'we're representing women.' But they happen to be representing for hip hop. And that's definitely not represented in mainstream culture. Labels are scared to deal with it. Because they don't think the consumers are ready for it.
But you don't think that there is actually a pressure or a necessity for you to talk about certain issues.
I think no. I really don't. I think there's a necessity for women to come up and not to have to worry about it and just do their own thing. I've had a few reviews saying that it's not a party album: "she's going to have to work more on doing something that's a little more now, to get us to listen." But these are the same people who say that they are tired of the same females coming out, shacking their asses, while no one is doing something intelligent. But when you are offering them that, they say they want you to party. But I think they get really confused and maybe don't exactly understand what they want. I think fans are really fickle, but I think we're definitely hearing a change in music. Nowadays and especially this year. I think that there's room for everything. From party records to... there's gotta be a variety. There's definitely a variety in the male side of the music, so why can't there be just as many things represented female wise.
Now I don't wanna stress this issue topic too far, so I'm only going to ask two more questions, but what I find interesting is, that as soon as you have a strong women in hip hop, that says positive things, she's immediately labeled a lesbian. Unless they really blatantly stress the sex thing. It happened to Queen Latifah, it happened to MC Lyte, and I'm sure it could easily happen to Apani or to you. Why do you think that is? Insecure man that need to ridicule women that are stronger than them?
No. I think in a couple of cases, that you named already... well, you know, they kinda are (smiles). And I mean, 'hey, more power to you.' (laughs) But naw, I think that's because when they are questioned about things, they say 'no comment.' I mean, if that's your lifestyle, then great. But that has nothing to do with the music, so I couldn't care less. Queen Latifah is still going to be Queen Latifah. I don't care what she does behind doors. Unless you are recording it and are putting it on the album, or bringing it to my house and acting it out, I really don't care (laughs). So, uhm, no I definitely don't think that's a problem.
I think it is an issue if we choose, for underground females, to do something slightly sexual. That's not even dirty or trashy and then being taken by the underground as 'oh, she's on some Lil Kim shit now.' That's definitely a knock against, I guess, the underground female. But let's see when Apani's album comes out. However you know what? I have sex, I have every right to talk about and do it as well. It's not mainly the thing I'm pushing, but when I try to be a well rounded artist, I'm going to talk about everything.
Now, the last question on this: I'm pretty sure you've heard of the book "Women are from Venus, men are from Mars". I don't know if you'd be interested in writing an extra chapter, but if you did, what would it be about?
I honestly don't believe in that. I think we're closer to each other than we really would like to admit. On both sides. And I think it's pushed more by the media and society that we are so separate and different. And it actually only promotes it. I think we are much more connected and we are able to relate on a different level if we wouldn't segregate ourselves so much and think of it in terms of gender. I know that when I relate to my male friends, we don't look at each other as male or female. In terms of relationships, yes! (laughs) But in terms of social settings, or gatherings or every day interaction, I think it could definitely be turned around, if we'd stop to place ourselves in the roles that society has for us.
Thing is, my two introductions to you, was first the Herbalizer stuff, and next "How To Break Up With Your Girlfriend". Do you actually have a preferred introduction, who you wish people got to know you, your music?
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