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label:
karma response unit
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producer: happ
g, snuff, supreme, dr. noh
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| guests: starvin
marvin, greedy gretch, snuff, jake lefco, catface, others. |
| year of release:
2001 |
| website: 40thdimension.com |
| rating |
| click
for explanation |
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| tracklisting |
| 1. Let's Get It On
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| 2. We Do It Like This
feat. Starvin Marvin, Greedy Gretch |
| 3. Disswon |
| 4. Eat My Gun
feat. Snuff Of Media 101 |
| 5. Too Many Movies
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| 6. Till I Die
feat. Greedy Gretch |
| 7. What It Is |
| 8. I Don't Care |
| 9. Open Minded
feat. Jake Lefco |
| 10. Super Scandalous
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| 11. Ahead Of Times
feat. Jake Lefco |
| 12. Stop
Frontin' feat. Luce Leif, Snuff (Media 101) |
| 13. Lose
Your Mind |
| 14. Zip
It feat. Starvin Marvin, Greedy Gretch |
| 15. The
Session feat. Shiz The Park Ranger, Jake Lefco |
| 16. The
Crop Report feat. Catface |
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| The Crop
Report |
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With all these flashy
trends in hip hop nowadays, you almost forget what it
used to be about. Like back then, when your goal was
to have a hard hitting beat, coupled with clever battle
rhymes. Throw in some good time verses about chicks,
brew, smoke sticks and other pleasantries, and you got
all that you need. Enough too? Well, not according to
some, that's why they strayed away from this formula.
Also not enough due to this style making it harder to
truly add something new, instead of just repeating previously
done steez.
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However, the 40 Dimension
is content with this way of doing hip hop. Hence that's
what they did on this 16 track deep album, that is called
"The Crop Report", what then obviously means that they
are sampling that Eddie Murphy movie (what is it called,
'Trading Places' or something??). And so it's a moment
from that flick that opens this here, followed by "Let's
Get It On", that was previously released
on the 12", and we liked it there, so we'll still like
it here, what can also be said about another 12"
cut "Zip It". Moments
from that movie can also be found on the title cut,
with "The Crop Report"
ending the album. The singing by Catface is kinda 'eeh',
the beat is cool though. We are also cool with "We
Do It Like This" featuring Starvin Marvin
and Greedy Gretch, as well as with the straight up dissing
"Disswon", that
appears with a darker Happ G beat, while "The
Session" feat. Shiz The Park Ranger, Jake
Lefco sounds just a tid bit too hard.
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Flipping things to
more grooving chapters is "Eat
My Gun", one of the few tracks not produced
by Happ, but in this case by the also featured Snuff
of Media 101, who does something that allows yourself
to move whatever you got available along to the track.
The dub influence on "What
It Is" can also get you about, while Scandal
talks about what gets him going, tick, continue, well,
you know. "Stop Frontin'"
is getting your neck in instant up and down movement,
with Luce Leif and Snuff helping out on this cut, that's
everything but hesitating to tell everyone about these
folks niceness.
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Flipping the content
a little, "Too Many Movies"
is giving away in the title what this is about, as Scandal
is getting at us with verses that are intertwining movie
titles. On "Open Minded"
the lyrics are actually flipping things fully, as this
is discussing the intolerant and ignorant, that manifests
in a understandable frustration. Even "Lose
Your Mind" is somewhat standing out in the
number of braggadocios tracks, with this going for a
more 'simply flowing for the sake of flowing' style,
that however still sticks with the mentioned way to
do things.
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Looking for the tracks
that we are not keen on, then there's "Till
I Die" featuring Greedy Gretch. The beat
is trying to do something "P.S.K." styled, and the emcee
sound only half hearted. There's also "I
Don't Care", that features okay strings,
but is mainly appearing as a run of the mill cut. Finally
The bare "Ahead Of Time"
featuring Jake Lefco is struggling to get our attention.
What then allows us to go full circle and repeat what
we previously mentioned: if you go for the boom bap
style, it will be harder to stand out. The 40D are able
to at least give the album a distinctive flavor, that
has the cuts connect and be recognizable as belonging
to this album. That's cool, as is the majority of the
cuts, in a elementary, bare, solid, simple kind of hip
hop way.
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| review:
tadah |
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