|
|
|
|
| producer: pain |
| guest: rhetorik |
| year of release:
2002 |
| rating |
| click
for explanation |
|
|
| tracklisting |
| 1. Dot. Dot. Dot.
(Intro) |
| 2. Vyle Loves...2 |
| 3. Cross The Road |
| 4. How We See It |
| 5. Just Cause You
Don't Have It |
| 6. Television |
| 7. Time Is Cheesy |
| 8. Time Is Cheesy
Pt. 2 |
| 9. Marriage |
| 10. Tabletop |
| 11. It's Not A Problem
(Life????????????) |
| 12. Glass |
| 13. I'm Not A Savior
Or A Follower Or A Biter Swallow Goodbye feat. Rhetorik |
| 14. Water The Lawn
(Outro) |
|
|
 |
| Galleries
A-N |
|
Sometimes, and this
being one of those times, you gotta wonder who's going
to, or supposed to buy all that is coming out. Not because
everything is wack, no, just because there's so damn
much. And with all your favorite artists already releasing
so much, who even has the time or money to check out
the ones that you've never even heard of? Or who even
dares to pick up something that doesn't yet have an
established name, after you already have too many of
those so-so, or solid, or wack releases in your collection?
|
|
Again questions this
space isn't meant to answer, but once we put our eyes
on this advance promo, as well as our ears to the music
this CD-R contains, these thought circle us like kiddies
do the last very well hidden egg on Eastern. Again,
not because it is wack, it actually isn't, but because
you do have to wonder who will pick this up, if not
having just seen the crew perform live or have some
reviewer tell you that this is worthy of your attention.
Now, with the latter being the case right now, we shall
let you know what you can expect on here. And afterwards,
direct your mouse over to the Aesthetik crew's, the
Wordwerkers, website to check out or pick up the record.
|
|
Well, at least if you
enjoy self reflecting, poetry heavy, hard to grasp,
intelligence demanding, abstract, dark, gloomy and anti-boom
bap hip hop. Cause if you don't, then get your mouse
over to Yahoo, as if you leave a porn site. Because
the attributes mentioned can be handed out to this record,
although we don't expect the artist to necessarily agree.
Nevertheless, this is dark, this is somewhat melancholic,
or simply dried, the lyrics are not a mere addition
of one or two liners, but they are expressing thoughts
that can span over a whole verse or even longer, and
that are at least as much for the artist's relief, as
they are for your listening enjoyment. So in a way this
is of the kind that Anticon made possible, that we are
so often struggling with, and that's flooding the market.
So the question is valid, why are we still finding some
enjoyment in this?
|
|
Well, a lot comes down
to the beats, and according to the bio, "this is an
EP focusing more on Pain's production than Vyle's rappings".
But we also enjoy this, due to the Vyle's flow, that
adapts the way he speaks his words, to the content of
his words. But it's still mainly the beats that take
this beyond the genres usual limits. Cause the producer
opts for a couple of interesting sounds, like a 1930's
type sample on "How We See
It" or some ancient computer game sounds
on "Just Cause You Don't Have
It". Or he speeds things up on "Tabletop",
that features some elements from a spaghetti western,
and there's the abstract and somewhat separated from
the ground vibe of "I'm Not
A Savior Or A Follower Or A Biter Swallow Goodbye"
(feat. Rhetorik), that further proves the nice versatility
of this album. And with instrumentals, like "Glass",
that are not boring the shit outta us, but actually
are able to capture some emotion, and in the mentioned
case we even get some dub altered drum. Hence we can
be fully content about saying: this album sure appears
to be a strong representative of its genre.
|
|
And that's pretty much
all that needs to be said about this here. Well maybe
we should add that the Aesthetik Frame does all with
a creativity topping on the ice cream, and the whole
is something that might at first does not look too tempting,
but that happens to be a quick, while not necessarily
brilliant, surprise.
|
| review:
tadah |
|