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producers:
chief xcel, cut chemist
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| tracklisting |
| 1. A To G |
| 2. Clockwork |
| 3. Rock The Spot |
| 4. Back To The Essence |
| 5. Deception |
| 6. Making Progress |
| 7. Alphabet Aerobics
(The Cut Chemist 2.5 Minute Workout) |
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| A2G
EP |
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There are a lot of great
artists from a to g: like Aceyalone, Blackalicious,
Chino XL, Digital Underground, Eminem, Frankenstein,
and Gang Starr. But sometimes a to g can also stand
for absolutely beautifully cherishable, dope,
enormously funky and great. But then again, isnt
that "A2G"? Well it is. Cause Blackalicious
is bubbalicious. Chief Xcel and Gift of Gab are the
names behind this excellently executed collection of
the freshest beats and mind twisting rhymes. Lets
get into them first.
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On "Alphabet
Aerobics (The Cut Chemist 2.5 Minutes Workout)",
Gift of Gab rips the microphone to shreds while going
through every letter of the alphabet. He starts with
"artificial amateurs, aren't at all amazing / analytically,
I assault, animate things", progresses through
"let me live a long life, lyrically lessons is
/ learned lame louses just lose to my livery" and
ends with "zig zag zombies, zoomin to the
zenith / zero in zen thoughts, overzealous rhyme zea-lots!".
And as if this wouldnt be making us trip enough,
Cut Chemist decided to twist the speed knob on his beatmachine
constantly higher, so that at the end Gift of Gab reaches
almost auctioneer speed in his tongue breaking,....well,....aerobics.
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"Deception"
is another lyrical standout cut. Not only strays Gab
away from the AABB rhyme scheme. The lyrics contain
a tale of rise and fall of some posterboy rapper, that
has his 15 minutes of fame, only to have his focus corrupted.
Or to say it in Gabs own words: "used to
wanna be the best of the rap dons (rap dons) / now his
only one concern is goin platinum (platinum) /
and his skills has since decreased, and the inner hunger
ceased / now content, just as long as fame and cash
come (cash come)" and at the end "now he's
dropped from his label, and he's goin broke (goin
broke) / tried the underground return, ghetto pass revoked
(pass revoked) / and the same faces that he dissed,
on his way, to the top / laughed as they watched him
do the downstroke (downstroke)". Deep, deep.
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One of the most beautiful
tracks of this year has to be "Making
Progress". This strong and proud track
is actually one big quotable (click
here). It gives love to every Black man and female
in the struggle, with rhymes like "as I embark
on life's journey from the point where I'm at / peace
to everyone I know or who I go way back wit / every
pimp, every mack, every gangsta to jack / every hustler
feedin babies, anybody pro-black". Or "head
on black people got to meet the task / educate, keep
learnin, gotta question, ask / and let your light
keep shinin and remember the past / by any means
necessary, we'll be free at last". Nevertheless
Gab doesnt hesitate to put some critical thoughts
to this track too, when he shares: "see the cycle
keeps moving like a big machine / evolution of the mind,
soul body and being / God'll never put upon you more
than you can take / sometimes you even gotta learn from
other people's mistakes". A Hall Of Fame
track.
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Beat wise, this EP doesnt
lack behind. Not only the above mentioned change in
pace on "Alphabet Aerobics", also every other
track has something special, you might just have never
heard before. May this be the musicality of "A
To G", or the almost disco beat of "Making
Progress", may it be the old schoolish
feel of a track like "Rock
The Spot", without even sounding old
school, or may it even be the hard thumbs and flute
of "Back To The Essence"
or the jumping piano of "Deception".
Not one track is lacking in production, just as they
are not lacking in lyrics. And that should make them
appealing for every bounce fiend, just as much as every
hardknock.
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So what you get here
is a complete package. And you will not even complain,
that its only 7 tracks long. This is too funky
and too creative to be bitchin about. That makes
it this very reviewers favorite release of this year,
up till now.
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| review:
tadah
the byk |
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