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label:
duck
down / priority
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producers:
da beatminerz, rockwilder
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| guests: busta
rhymes, heather b, louieville from o.g.c, q-tip, cocoa
brovaz, m.o.p., teflon, rock from heltah skeltah |
| rating |
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| tracklisting |
| 1. Intro |
| 2. The Onslaught feat.
Busta Rhymes |
| 3. War Zone |
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4. This Is What It
Sounds Like (Worldwind)
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| 5. Freestyle |
| 6. Five (Interlude) |
| 7. For All Ya'll feat.
Heather B |
| 8. Come Get Some feat.
Louieville from O.G.C. |
| 9. Weight Of The World |
| 10. Evil Dee Is On
The Mix |
| 11. Showdown feat.
Q-Tip |
| 12. One-Two |
| 13. Frame feat.
Cocoa Brovaz |
| 14. Buckshot (Interlude) |
| 15. Two Turntables
& A Mic |
| 16. Annihilation feat.
M.O.P. & Teflon |
| 17. Duress |
| 18. Throw Your Hands
In The Air |
| 19. Outro feat.
Rock from Heltah Skeltah |
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| War Zone |
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As MTV still was shown
in every house, back in these years, Black Moon, and
with them the Boot Camp Clik, reached our record players.
And a small, messy Buckshot Shorty (as he was called
back then) was interviewed by Fab Five Freddy on the
stairs of Brooklyn. Naturally with a backpack and headphones
around his neck.
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Since then, the "Enta
Da Stage" album, the second B.C.C. release Smif-N-Wessuns
"Dah Shinin", a lot of time has passed.
During that period Smif-N-Wessun got renamed to Cocoa
Brovaz, the B.C.C. tried to get away from Nervous and
Black Moon split up and got back together again. A disastrous
drop of quality entered the products that the B.C.C.
put out. But a lot got better for this album. Maybe
just because Da Beatminerz were responsible for most
of the production. However, the other B.C.C. albums
(except both Heltah Skeltah albums) were weak.
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Buckshot flows over
the beats like clouds over a dark sky. "Half bud-ass
yellin have a good time / nowadays I'd rather
have a good rhyme" ("Two
Turntables And A Mic") and "broke
wit' no chips, frontin' in the game wit' / a little
record deal but still drive the same whip / it's a shame
ain't it, the vision that they show you in the videos
/ would really make you think that you got the ghetto,
oh / don't get me wrong, I ain't tryin' to stay / but
yo, at the same time I ain't tryin' to run away"
("The Onslaught").
And on several tracks, the B.D. Eyed Emcee shares the
microphone with the returned 5 Ft. Accelerator, and
he comments exactly that, with "take a closer look
at who ya see / no its not a mirage its the Five
F-T" ("War Zone").
The beats are dark and spiced with interesting bleeping
effects. The drums do not shatter as hard as they did
on the "Enta Da Stage" album, which is sad,
but just like the covers, the beats are more polished
since the B.C.C. is doing business with Priority. And
the tendency to use several samples that have been used
many times before, provokes the listener to listen doubtfully.
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Concluding, the B.C.C.
didn't return to masterpieces like "I Got Cha Opin",
"Who Got Da Props" or "How Many Emcees",
but comparing to other releases of today, Black Moon
comes solid.
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| review: tadah
the byk |
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