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| Debris at one point calls out rappers who put on accents, saying that they should "rhyme how they talk" - as he very clearly does - and he does make a worthy point, although his own voice is at times hard to take. However, it's not so much his accent that puts you off his
rhyming, as his lyrics and flow. While Debris is able to quite competently make references to Hip Hop history, covering everyone from Ice Cube to KRS One to Kurious Jorge, he is outshone flow-wise by literally everybody else who steps to the mic throughout the nine tracks. To add to his shortcomings,
the vast majority of his lyrics are aimed at other mediocre rappers who might seek to "diss Flak and Debris", and this just seems to suggest that he doesn't really have much to say. |
| Where The Mongrels are at their strongest is their production; from the reggae/dub feel of "Try Hards" (featuring Jodes & Hau, produced by Debris & Flak) to the sixties-sounding-guitar loop of "Gone
Too Far" (featuring Jodes, produced by Debris & Flak), they are able to produce varied and upbeat tracks that may not scream innovation, but keep the album moving nicely. Other tracks on the album are produced by Suffra and Simplex, whose productions fit cleanly in with the vibes of The
Mongrels' own offerings, giving all nine tracks a good sense of continuance. |
| With all this in mind, The Mongrels aren't quite yet poised to conquer the earth, although they are beginning to let the world know that an underground Hip Hop scene exists is the southern hemisphere, and there is certainly some talent to be found there - both among producers (all of
the above-mentioned) and rappers (Hilltop Hoods and Flee probably sit at the top of the pile on this album). |
| My two suggestions would be that perhaps Debris should stick to being behind the boards, and perhaps The Mongrels need to set themselves a slightly more realistic target than the entire world. You gotta give 'em props for aiming high though. |
| review: cornerstone |
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06.09.2003
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