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| We should start at the beginning though, "Pick A Number", quite a hype little tune Evidence cooked up for Defari to do his liquid flowing over. This style is repeated on "Spell
My Name", again produced by Evidence, making the two quite a tag team. While the first cut was a little stopping and going, the latter "Spell My Name" is just rolling and rolling and rolling. In the same ballpark plays the dramatic
"Hooks", with the Barbershop Kiz cooking up something for Defari to stomp some of the competition (the beat is later picked up again on the "Chocolate Ty (Interlude)". |
| Taking a look at the world around him, Defari comments on "Inner City", where E-Swift provides the beat and parts of the lyrics. That area of course is not always grasses and flowers, but it's also home. And home is Los Angeles: "while every square's all U.S.A
/ I'm all L.A" he rhymes on "Los Angelinos", another Evidence/Defari collaboration, this time however Evidence rhymes and Porse does the beat. "Take the weight of my hand, the breath of my life / for those who just don't understand I do more than just right / I do be my family
a man, the realness inside / the stress always wanna test the black men pride" he rhymes on "Take The Weight Of My Hand", a one minute long manifest on his Intentions. The spirit is kept going on "Behold My Life (Remix)"
featuring the Dilated Peoples and the evaluating "Odds & Evens", as well as the reminiscing "For The Love". |
| There's however also the opposite in tracks like "Cold Pieces", where Defari rhymes about girls, "Diamonds In The Rough", where he rhymes about a girl, the generally bubbling, uhm, "Stay Bubblin'" or the very g-funky "Slumpy",
where he speaks on what girls might criticize. The Fredwreck beat is lowrider quality, as is "Xtra Thump" with Tash of the re-christened Alkaholiks, who both position this strongly on Cali soil, to be unshook by the next earthquake. So the package is complete and it was wrapped by talented
people. What makes this a good record in so many of the purest rap ways, that too often get ignored in today's bling bling, super thug or personal journal markets. Naw man, this is a real person making real music real good. |
| review: tadah |
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15.09.2003
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