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producers: dj
premier, show, buckwild, diamond, lord finesse, rockwilder,
ahmed
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| guests: milano,
cuban linx, krs-one, big pun |
| rating |
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| tracklisting |
| 1. Thick |
| 2. Get Yours |
| 3. Champagne Thoughts |
| 4. Way Of Life |
| 5. Day One |
| 6. Hey Luv feat.
Milano, Cuban Linx |
| 7. Foundation |
| 8. Ebonics (Premo
Mix) |
| 9. Drop It Heavy feat.
KRS-One, Big Pun |
| 10. Da Enemy |
| 11. Stand Strong |
| 12. Weekend Nights |
| 13. Thick (Rockwilder
Mix) |
| 14. Tribute |
| 15. Time To Get This
Money |
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| D.I.T.C. |
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Let a Diggin' In The
Crates fan tell you that this album sucks. And because
I am a fan, and because this is such a disappointment,
I will allow myself to write this review on a personal
level, throwing journalistic rules (as if I'd follow
them anyways, laugh) over board and just sit down with
you, and tell you why.
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The reason why I always
loved the D.I.T.C. was, because they had dope beats.
You could chill with them at home and they'd be musical
enough to entertain you for an hour and more. The D.I.T.C.
was street and rugged without promoting violence. Oftentimes
they were just bragging and they were darn good at it.
And if you check their track record, you'll see how
dope their catalogue is: O.C.'s visionary "Times Up",
"You And Yours", Big L's "Put It On" or "Ebonics", Lord
Finesse "Brainstorm / P.S.K. (No Gimmicks Remix)", "Stop
Sweating The Next Man" and "Keep It Flowing", Show &
A.G.'s "Spit", "Next Level (Nyte Time Mix)" or "Soul
Clap", Diamonds "I'm Outta Here" or "Best Kept Secret",
to just name a few. But I guess real artists need to
eat too, hence this album.
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The jiggyness started
to set in with O.C.'s "Jewelz" album climaxing with
the very disappointing "Still Diggin' Composition" EP
by Buckwild and this album. Let's hope the label is
to blame for this.
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First of all, many of
the tracks on here have been previously released: "Thick",
"Time To Get This Money",
"Get Yours", "The
Enemy" and Big L's "Ebonics"
(that gets a remix treatment), while the weak beat having
"Internationally Known",
"Themes, Dreams & Schemes",
"All Luv" and "Where
You At?" are left out. On "Drop
It Heavy", KRS-One kicks a rhyme that's taken
from the Show & A.G. EP, the already released "Dignified
Soldiers" gets the name "Stand
Strong" and a softer beat (check O.C.'s last
line for confirmation), and on "Hey
Luv", not one D.I.T.C. member kicks a rhyme,
but only affiliates Milano and Cuban Linx do. This should
have all the left out tracks on it too, and should be
pushed as a 'best of vinyl releases' compilation, and
not an album, and no one would complain.
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However, the jiggyness
is dominant on previously unreleased tracks: "Champagne
Thoughts", "Hey
Luv", the wack club effort "Foundation"
or the unnecessary Rockwilder remix of "Thick".
And while these beats are not necessarily pop, they
are by far not the boom bap of D.I.T.C. past. So the
remaining dope tracks on here are "Day
One", "Da Enemy",
"Stand Strong" and
"Tribute" (a touching
Big L tribute track), while "Thick",
"Get Yours", "Way
Of Life", "Drop It
Heavy" (also on A.G.'s solo album), "Weekend
Nights" and "Time
To Get This Money" are alright, but even
the Premo remix of "Ebonics"
is slacking. And that is by far not a D.I.T.C. worthy
track record.
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However, on the lyrical
side, they still got it on many tracks. Like on what
has to be one of the best tracks of the last few years
"Day One": Diamond
goes "now its the mad magician with the ill deposition
/ no repetition, holding down Bronx tradition / my composition
simply squash the competition / step up and get beat
into submission / cause this musician with the street
intuition / 7-35 fuel-injected transmission". A.G. goes
"bang 'em and hang 'em like they did our relatives /
thought he was the best on the mic that ever lived?
negative" and finally Lord Finesse kickstarts with "check
the referral, man my whole squad's thorough / we worldwide
niggas is nice in one borough / we all gleam, plus we
fiend for more cream / you got some nice players they
just on the wrong team...nahmean". But even in the lyric
department they allow themselves crap like the flossing
"Foundation", that must have been done to please that
kind of audience rather than the fans, that brought
up the D.I.T.C. to their prominence.
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On "Day
One" the chorus goes "yo, most these rap
cats don't know / where it started, where it came from
/ we been repping this shit since Day One / Diggin'
In The Crates originators / why niggas playa hater us
/ knowing damn well you can't fade us". And up until
we got this album, we agreed. But this is the final
confirmation, that even the mighty D.I.T.C. can fall
off.
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| review:
tadah
the byk |
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