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| producer: count
bass-d, metal fingers, dr. butcher, dj eli, protest, dminor,
cas. |
| guests: megalon,
mf doom, count bass-d |
| year of release:
2002 |
| rating |
| click
for explanation |
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| tracklisting |
| 1. Alpha feat.
Count Bass-D |
| 2. Time And Space |
| 3. Life And Death |
| 4. Freedom |
| 5. Foolish feat.
Megalon, MF Doom |
| 6. Together |
| 7. Break 'Em Off |
| 8. Rain Blood feat.
Megalon |
| 9. Voices Pt. 0 |
| 10. Voices Pt. 1 feat.
MF Doom |
| 11. Yes You Are (It's
Only A Movie) |
| 12. I.B.'s |
| 13. To All My Comrades |
| 14. Howl |
| 15. Words |
| 16. Teach The Babies |
| 17. Omega |
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| The Downfall
Of Ibliys (A Ghetto Opera) |
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One of the most eagerly
anticipated albums in recent memory, heads have been
fiending for a Grimm LP for nearly a decade. If you're
new to the game, some background info is in order. Previously
known as the Grimm Reaper, he's been laying it down
since the early 1990s, spitting rhymes alongside the
likes of Kurious, KMD, and Kool G Rap among others.
Best known for his deep lyrics and untouchable flow,
he's also dropped several singles on Bobitto's now-defunct
Fondle 'Em label, appeared on Doom's classic "Operation
Doomsday", and teamed up with the super-villain
for a split EP on Brick. He's overcome mad personal
drama, developed an international following, and remains
one of the illest on the mic. Finally, "The Downfall
Of Ibliys" is here, and it's well worth the wait.
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The album starts off
with a brief intro from Count Bass D, before kicking
into the mellow, introspective "Time
And Space," a moody track laced with
tinkling pianos and minimal drum kicks. "Life
And Death" revisits the beat from KMD's
"Black Bastards," as Grimm relates the positive
and negative to two opposite but enticing ladies. Monsta
Island Czar Megalon brings the rapid-fire ruckus on
a pair of burners, "Foolish"
(which sports the upbeat "Zatar" instrumental
from Doom's "Special Herbs" record), and a
seriously fierce, frenzied solo cut called "Reign
Blood," going nuts over an extra-raw,
guitar-powered beat. Look for him on the upcoming M.I.C.
full-length. The Cas-produced "Break
Em Off" (from the split EP) also appears,
though its jagged style might be a little too bugged
for some listeners.
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Other familiar jams
include "Voices Pt. 1,"
Doom's keyboard-heavy bonus cut/Shockwave video, and
"Voices Pt. 0,"
on which Grimm gets deep regarding life in the pen over
the same instrumental. While hardcore fans will have
heard these before, they're still very hot, with some
crazy lyrical displays from both MFs. DJ Eli (Cloudkickers)
crafts a beautiful beat for "Yes
You Are (It's Only A Movie)," full of
smooth string plucking, lush pianos, and laid-back drums.
"I.B.'s"
is one of the most emotional moments on the LP, with
Doom's modulating loops setting the stage for Grimm's
heartfelt rhymes about his girl on the outside. "Incarceration
blues / locked up front page on the news / fucked up
cuz I'm thinking about you / starin' at your picture
/ wishin' I was witcha / will I see you again? / are
you loyal are you with other men? / life's hard yeah
the things we going through / together / hold me down
love and I'll hold you."
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Longtime co-conspirator
Dr. Butcher contributes two tracks, the triumphant "Freedom,"
loaded with high-drama strings and busy drums, as well
as the jangly headbanger "Howl,"
which also sports a hyped up chorus and some cool wolf
howling. "To All My Comrades"
is almost like a spoken-word piece, as Grimm gives love
to fallen friends over subtle bass tones, eerie bells,
and sharp rimshots. Count Bass D's harmonica-heavy "Words"
is also key, while dminor concocts a bouncy piano jam
for "Together,"
a graphic tale of betrayal and revenge. "Teach
The Babies" finds Protest's symphonic
"Sesame Street" instrumental backing alphabetical
flows, urging kids to steer clear of the drug game.
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Of the album's 17 tracks,
MF Doom (credited as Metal Fingers) produces about half,
flaunting his skills as one of the nicest beatmakers
around. The other sound providers are also impressive,
lending unique but always-complementary styles to the
mix. However the real star here is MF Grimm himself,
whose wisdom-filled lyrics prove that you don't have
to be a Henny guzzling club-thug or a nonsense-spouting
abstractionist to make fresh hip-hop in 2002. His sincere
delivery and introspective, deeply personal rhymes will
strike a chord whether you rep Rikers or Rhode Island,
and his positive but never preachy words for the next
generation are both admirable and all too rare. While
the 'mainstream' world continues to sleep on Grimm,
there's no excuse for you to. Buy this record today
and support a true rap legend.
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| review:
brolin
winning |
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