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| producers: eturnal
dawn, kritikal prik, noahdeeakili, mes e. recspin. |
| year of release:
2002 |
| website: ostrichhead.com |
| rating |
| click
for explanation |
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| tracklisting |
| 1. House Of Our Name |
| 2. Gimme Sumthin |
| 3. Around These Parts |
| 4. Head Trips |
| 5. Bastard Peace Theatre |
| 6. NE1 |
| 7. Relations |
| 8. Soooo High |
| 9. Ostrich Head |
| 10. Music 4 Beginners |
| 11. Firing Squad |
| 12. Heads Up |
| 13. Self Explanatory |
| 14. Creation 2 Completion |
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| Tower
Of Babble |
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If you think you know
'em, you don't. Because the Ostrich Heads are not the
spacey west coast underground cats that they used to
be on their first album "Head In The Ground". Things
have changed, for some unexplained reason, but with
the new style sounding natural to them, it can't be
due to marketing, trend or any reasons like that. So
while they keep some of the spirits still amongst them,
they chased away some of the ghosts, to give us a second
album called "Tower Of Babble", that is demanding the
word fresh to be included in the description of this
effort.
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One of the big changes
is the pace of the tracks, what then also changed the
moods. Because tracks like the opening cut "House
Of Our Name" is quick, and with that, a sudden
burst of good moods, shacking off the too often demanded
seriousness, if not to say depressed state. What however
will raise some eyebrows is the slight retro-sound this
song boasts. And this vibe is furthered on tracks like
"Gimme Sumthin",
where Kritikal Prik is putting a rolling bassline behind
continuously changing and completed as well as reduced
forefront sounds, to then going for something totally
different, that is as much a second part, as it's a
remixed interlude. The emcees come to the ironic conclusion
of "it's better to give than to receive, so gimme something"
and they need to adopt their flows to these up-paced
rhythms, what then at times blurs their words (quite
interestingly "Head Trips"
or "Firing Squad"
are even faster, but here the words are spoken more
clearly).
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With the third track
"Around These Parts"
you realize that the Ostrich Head's live performances
must be quite a treat. Not only will the big number
of emcees (six to be exact) offer the needed pressure
from the stage, but with them being able to handle back
and forth routines, as well as beat boxing, to back
up the getting you hype beats, they guarantee a good
night out. Also because they can bring in the Latin
flavor on "NE1"
without this sounding corny or put on (although note,
that this cut goes into one dark intermission some time
into the cut). Lyrically we are getting what we have
to expect from music that is very much made to be performed
live. What means it's of braggadocios proportions, coupled
with humorous lines that don't intend to change the
world, what however doesn't mean, that they try to brainwash
the crowd with dull and non-serious topics.
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In a way what this adds
up to is bringing some good times out of an artistic
perspective, with creativity being more important than
the quick excitement and bubble gum formula. And that
allows even more room to bring different flavors, even
turning the lights down and come with something smooth
and nightish on "Soooo High".
And when the rhythms are getting lower, so are the boastings
words, with actual reflective thoughts creeping up,
just as they do on "Creations
2 Completion". And again this shift in styles
is not being forced, but comes natural. So does the
track "Music 4 Beginners"
where the producers of the Head, Mes E. Recspin, Kritikal
Prik and eTURNAL dAWN show off what they are able to
do, with them patch working together a dub piece, that
allows itself the luxury to be made up of a tenfold
of different ideas, instead of just impressing us with
one. This track however is also bringing us closer to
what has been done on the first album. That however
can't be a bad thing, with the first album being a record
we enjoyed.
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So we get something
retrospective (in many ways) on this album, that at
the same time is an interesting change in styles and
formulas for the Ostrich Head. And while the true power
of these tracks must be witnessed in a live performance
surrounding, the clever lyrics, the enormously carefully
crafted beats, that always hold a surprise for us around
the corner, make this just as much an experience you
can and will enjoy at home.
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| review:
tadah |
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