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producers: peace
586, btwice
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guests: jurnybig,
sup the chemist
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| year of release:
2001 |
| website: mp3.com/peace586 |
| rating |
| click
for explanation |
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| tracklisting |
| 1. 586 |
| 2. The Difference |
| 3. Tru' Ndeed |
| 4. Reasons feat.
Jurnybig |
| 5. Itchin |
| 6. You Here feat.
Sup The Chemist |
| 7. Questions |
| 8. The Deal |
| 9. Boom Zoom |
| 10. Peace Of Praise |
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| 586 |
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Peace 586 can be considered
to be a pioneer of the Christian rap scene. As part
of the group Freedom Of Soul, he released the album
"Caught In A Land Of Time", in 1991, the album "The
2nd Coming" in 1993, and his first solo album "The Risen
Son" came out in 1996. After five years of remaining
quiet, or better, making his biggest contribution by
producing other cats or inspiring them, Peace came back
with the album "586", to reclaim the status of being
held in high regard as a dope emcee and producer, but
also to talk about his God.
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At the beginning, there's
little going on, with only a bass and drum being the
nails that hold the lyrical picture on the wall. The
track is called "586"
and everything but its meaning is explained, while Peace
reminds us of some past accomplishments, as well as
reintroducing himself to those that might have missed
him the first few times out. While the main ingredients
stay the same, there's a piano added to "The
Difference". Peace is making this a tale
of hardship or ill influence and advice, him always
pointing out to himself the safe haven that his God
provides. "Tru' Ndeed"
once more keeps the beat simple (and it's produced together
with Btwice), but its simplicity is complete. And Peace
reflects on his own path, again bringing everything
in connection with his God, that keeps him humble and
at the same time content. The track ends with a change
in beats, and the end is kept instrumental and not less
in quality.
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The topic gets a little
less serious on "Reasons"
featuring JurnyBig, although the tone of the song would
not have you think so. This is no joking matter, but
a somewhat braggadocios pride stance, with both feet
firm on the ground and so the arms are off duty to keep
the balance and on duty to hand out messages. The slow
beginning of "Itchin"
is making you anxious. The words then appear quicker
than expected though, with Peace explaining some of
his determinations, but also trying to be the stick
that pokes you in the right direction. The next guest
appearance on "You Here"
is by label mate and good friend Sup The Chemist, who
drops by to spit words over this dope beat. This tracks
proves how well the two work together, as the chemistry
is being carried beyond the topic that obviously connects
them. And as so often on this album, there is an unmentioned
beat attached to the end of the listed track, giving
Peace an extra chance to shine with his production.
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The listener, or more
exact, the critics and nawsayers are addressed on "Questions",
with Peace taking some time to do some autogenous verses.
The beat chosen for "The Deal"
is then not to our full liking, while Peace is reflecting
on the way it has been back then. Like 15 years ago,
when he started out to add his contribution to this
musical and cultural field. The instrumental intermission
at the end here is also not beyond doubt, and so we
progress to "Boom Zoom",
where things are getting a little better again. Around
this part of the album, the topic has also turned away
from the strong religious ingredients on the first few
tracks. That makes it easier to like for the backpackers
that don't care too much about hearing spiritual reports,
with the lyrics being more about the usual topics. For
the neutral listener, it makes it possible to enjoy
a versatile catalogue of topic. And then there's "Peace
Of Praise" left, where the "Apache" drum
is combined with some Latin guitars, as Peace says,
that he was influence by all kinds of music. And as
strangely as the description sounds, the result actually
works. Not in a 'all producers hearing this will rush
to try to bite the style' kind of way, but in a 'yip,
it kinda works' way. However, that's mainly due to the
very good guitar playing by Rob Hernandez, who's just
plucking them strings with the exact feeling being transported
from the inner soul to the finger tips.
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This album is somewhat
edgeless and more a praising than a preaching record,
more a witness report, than an analytical comment. However,
we couldn't really determine if that's a good or a bad
thing. But Peace is showing enough skills with his words
and the dope beats, that we are giving this album a
healthy amount of props.
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| review:
tadah |
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