Speak Life
label: uprok

producers: dert, david santos, dj cheapshot, peace,

guests: propaganda, dokument, nate da gr8, listener, elsie, zane, macho, raphi, lpg, others.
year of release: 2003
website: tunnelrats.net
"I am not a Christian emcee, I'm a vision emcee / so stop trippin' when I speak about things you can't see" remarks Sev Statik at one time on this album. Nevertheless, this still came out on the Uprok label, he's still part of the Tunnel Rats crew, thus he's still a member of what is described as Christian Hip Hop scene, for lack of a better name. But when Sev continues that he swore to himself that every record that he'll do will be conscious (on "Da Pointman"), he is actually taking himself beyond this unsatisfying label of being a Christian emcee, making it irrelevant, as much as it can be irrelevant for someone that still and very much so is Christian.
But if anything, the Uprok label, and with it the Tunnel Rats flagship, proofed that they know how to combine the conscious elements with bouncing beats, how to still get enough of spitting done among all the believing speeches. Because the respect of these artists might have originated within the circle, but is now definitely spreading out and reaching people from all breeds and levels and likings.

tracklisting
1. Intro by Nate Da Gr8
2. All For A Purpose
3. Warning feat. Propaganda, Dokument
4. Over The Influence
5. Da Pointman
6. Meds
7. Disappear
8. Speak Life
9. I Apologize feat. Listener
10. Poor Penmanship
11. Seasons Of A Tear feat. Elsie, Zane
12. Statik Interlude
13. Right Now feat. Macho, Raphi
14. Right Now
15. End Up feat. Macho, Raphi
16. Invisible Bars
17. Close
18. Global feat. LPG
19. MIC
That's also why we get two names on here, that are maybe even a little bit more established than Sev himself. They go by the names of DJ Cheapshot who handles two beats on this record, plus Cuf's Nate Da Gr8, who scratches on several songs. Including the "Intro", plus "Over The Influence", a Cheapshot produced track, where Nate adds dope turntable work to the mix. The style is quite obviously bouncy, with the beat getting the head nodding plus any crowd hype. Sev could have easily used this option to do some serious battling. Instead he merely slows down the saving the world for a second, giving us a combination of lines on himself and on others. Somewhat a minimal description for the whole of the album, that often speaks about what Sev sees and believes, at times challenges others, and often offers comments and conclusions of Sev's own pondering. The second Cheapshot track is "Close", with the beat being a little less typical, but a lot nicer. This cocky little beat then finally has Sev step up to address someone who wants to mingle in his shadow, but that is not even worthy of that little light.
Apart from these two tracks, Dert covers the most ground with his beats. And with some of the tracks coming in typical Tunnel Rats style ("All For A Purpose" or "Warning"), there's also a very smooth song like "Speak Life" with Dax doing the chorus, and Sev speaking on life. What else? Oftentimes however, Sev speaks on hip hop and the state of it. So he does on "Poor Penmanship". Dert flips things during the hook making it better than it otherwise is. The Tunnel Rats then can't be absent of this album, hence Elsie and Zane step up on "Seasons Of A Tear", that features a dope Dert beat. Macho and Raphi add their voices to "Right Now" and "End Up", both also produced by Dert, with the latter being more melancholic, and better suitable for the stating verses. LPG is featured on "Global", with the call for independence being strong and combined with the raised fist. Further by Dert is the jiggy "Rock Of Ages", furthering the musically always rather club friendly material of the Rats.
One of the tracks by someone else is the dark Peace produced "Meds", where Sev passes out boxes of meds to heal whatever sickles in front of him. David Santos treats his orchestra sample in dope ways on the short "Disappear". David also takes care of the Latino instruments using "I Apologize" (Dert uses a Spanish guitar on "MIC"), while Listener follows Sev to settle between two of his hosts verses, with the latter giving us Sev speaking on how it used to be back then, when even 'white kids were pro black'. But things change, Sev says. And his remark makes the hook a little sarcastic. Finally Santos does "Invisible Bars", that builds around a single violin, with Sev drawing the connection between him being real, as opposed to some comic character.
It shouldn't be considered a slight miracle for the Tunnel Raps making a name for themselves. What they do is offering music with crossover appeal, minus all the mistakes, illnesses and ignorance. Plus, the consciousness and positivity is not force fed, and it does not prevent some straight up spitting, and some neck breaking rhythms. What gives this record an enormous potential on paper, with about four fifths of it being accomplished by Sev and his fellow rats.
review: tadah
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