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producer: know1
and human
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| year of release:
2001 |
| website:
softfocusart.com |
| rating |
| click
for explanation |
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| tracklisting |
| 1. Too Much Effort |
| 2. Know |
| 3. Radio Is Fun |
| 4. Slippery |
| 5. Technicolor Wasteland
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| 6. Energy |
| 7. Cloud's
Prey |
| 8. Outta
Space |
| 9. Hit And Hover |
| 10. Eyecon |
| 11. Realism |
| 12. Relocate |
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| The Parlance
Of ... Scruples |
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This is the third project
getting reviewed, that features Know1's work. While
on Angle's album he's been mainly responsible for beats,
and while he carried his own EP "Lousy Person", he now
teams up with Human to release this demo as Soft Focus
called "The Parlance Of ...Scruples". But why even review
demos? And even worse, why even review demos that write
in their cover that the sound quality is inferior (due
to the music not being mastered)? Well, there's a couple
of more or less good reasons, however, there's at least
one excellent reason: the music is good, and you want
to use this chance to let the readers as much as the
artists know.
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The record is twelve
tracks deep with the best three tracks are coming on
in the middle, one after the other. This triple is started
by "Energy",
that features the strings that might have been lifted
off a classic big budget Japan Animation movie. Meaning
that the strings are excellent, melancholic and the
carrier of unspoken messages. This however is moved
further with difficult drums, lending even more character.
Lyrically this is discussing an awe that is felt being
confronted with the majesty of nature and its appearances.
What then is making the lyricist coming to the difficult
finding, that "what can we believe, only what it is
we see / but my eyes, are playing tricks on me". The
middle cut is "Cloud's
Prey", somewhat a sequel to the first
song. However here the lyrics are more focused on the
person himself, as he's speaking like intoxicated diary
words, concluding "I'm just a broken toy on someone
else's shelf". The beat is percussion heavy, but features
more sound effects, that not only change but are also
able to stir up emotions. Now the last cut in our trilogy
is "Outta
Space", that's based on a guitar, and
that's quite butter smooth. Lyrically this is similarly
content, or better hopeful, as this is discussing so
much what's wrong, but it's giving us the hopeful perspective
of how everything could eventually play out.
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But there are more cuts
outside of this threesome, that we are enjoying very
much. One of 'em is "Eyecon",
that's rather intensive, featuring a quite possible
live played drum. And in the background space sounds
are flying past by like shooting stars. "Relocate"
is also keeping things in science fiction chapters,
with low quirky sounds being present throughout much
of the track, while they at times get exchanged with
more real sounds. Lyrically this is going a somewhat
stereotypical underground cats route, as it's mainly
of introspective character, that for an outside listener
can be confused with rambling, with the topics crossing
through different areas all in an un-beneficial small
amount of time and space. The opening track "Too
Much Effort" is also to our liking, as this
is one of the best examples for the complexity that
the beats process. Different layers are put over each
other, but they are mainly separating the elements from
each other, and rarely are being played at the same
time. "Radio Is Fun"
starts with a sample that sounds like lifted off a cowboy
soundtrack, like John Bon Jovi's "Blaze Of Glory". But
we checked and didn't find it on there (but please don't
ask how we got our hands on it). Lastly "Technicolor
Wasteland" shall also be mentioned, with
more cool strings, and further intensive vibes being
driven.
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The rest of the tracks
are however not leaving us in disgust. They are merely
not as good as the ones just mentioned. On those cuts
the beats are leaving us demanding more, and the lyrics
are only sounding further off center, and hiding one
common theme that makes it effortless or easy for us
to dive into them. What further hurts them, and that
also goes for the other cuts: it obviously hurts the
overall impression, that these cuts are still in a demo
stage, and especially the voices are lacking clarity,
being mainly buried within the sounds, that are also
sometimes appearing to be a mush. What still isn't able
to prevent us from hearing the undeniable quality this
music possesses. They sure have to overcome a few things
that are holding 'em back, but this is definitely on
the right path.
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| review:
tadah |
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