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| producers: johan,
geseligesan |
| guests: catrine
morén |
| year of release:
2002 |
| rating |
| click
for explanation |
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| tracklisting |
| 1. Ecology Of Souls
(First Act) |
| 2. Cashew
Fenny w/ Catrine Morén |
| 3. Solblade |
| 4. The
Bluebird? |
| 5. Appearing Real |
| 6. Nightmare
Manifesting |
| 7. Ecology
Of Souls (Second Act) |
| 8.
Coconut Fenny w/ Catrine Morén |
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| Cashew
Fenny EP |
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Note: This is a remix
of a previous review.
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If you want to capture
the majesty of nature, you can't use a boom bap beat.
As a morning sky that's painted in a vivid red needs
more, more soul, more emotion, more power. And that's
what Stacs Of Stamina provide on their "Cashew Fenny"
EP. They are creating music that is appearing deeper,
that is spacious enough to contain faces, suffering,
the intensity of nature, the size of it, the hardship
of it. Big words, but they are used for a big record.
Big in the aspect of its potential to fill a room with
sound. A quality that is always appreciated, but that
also demands a certain quality and strength in a very
vulnerable kind of way. It makes it be a ghost whose
presence is felt, while its appearance can't be captured
with one of our main senses. Again, big words, for a
mighty record.
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Now, all you readers
that pay attention will go: 'yo, didn't you review this
record already?' And said readers would be right. Some
time ago, some time last year, we received, and reviewed
an advance copy of this EP. But now as the official
release is finally making it possible for a wider audience
to get overpowered by the Stacs, a quick look at the
tracklisting will explain why we are giving this record
all our attention again. As the tracklisting is different.
Gone are the instrumentals, that were included on that
copy. Second, there's a new track on here called "Appearing
Real".
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But what we said back
then is still valid today. The title track "Cashew
Fenny" is still the cut we like the most.
The voice of Catrine Morén is still adding a struggle
to the cut, that is allowing the frustrated, accusing
and battling rhymes to gain an uncomfortable, while
necessary depth. The darkness is incredible, it's apocalyptic,
it's industrial, gothic, selfish. And these words are
borrowed from the last review. And to continue that
recycling, "Solblade"
(one of the few tracks not produced by Johan, but by
Geseligesan) features spooky pianos that team up with
other spacey sounds, and the rhymes are talking about
elementary issues, with the struggle to achieve being
the topic. "The Bluebird Of Happiness" is reduced to
"The
Bluebird?", with the Stacs exploring
the misguided currency at their nerve endings. However,
there's the positive schizophrenic moment too, when
we are drawn into atmospheric layers, that are calmed
down. What eventually makes us thankful when we hear
"I almost died yesterday, but I'm still breathing",
with the drum chopping up the time reference.
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"Nightmare
Manifesting" re-appears
on here too, it still being harsh, and the vibe moving
away from the pure gloom, to make room for an aggressiveness,
both in the lyrics, as well as the beat. And before
we are getting to the new tracks on here, "Ecology
Of Souls (Second Act)", stings with a bareness,
as well as an insane choice of samples, with the latter
being especially to our liking. What then leaves us
with "Coconut Fenny",
that's a remix of the title track, done by Geseligesan.
He lifted off a lot of the menacing completeness, reducing
the beat to a smaller number of elements, that are giving
the lyrics more room to breathe and progress. And then,
as mentioned, there's "Appearing
Real", a full new track. This one seems smaller
in size if compared to other entities on this record,
but it's content with remaining compact and getting
hope from being undemanding. And what that is meant
to say is, that there's plush sounds that are while
obvious, not forcing themselves on us, remaining rather
shy, while still putting the drum one or two layers
to the back, with the chorus offering completeness:
"a bridge is not just a place to spit on cars from /
fear is false evidence appearing real / so release your
fears".
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Yes, we are aware that
this album will not be to all people's liking. But that
can also be explained by the different kind of purpose
music has to those that struggle to appreciate this.
Because Stacs Of Stamina don't create dance music, even
if all your dancing would be performed your neck. They
create music that is intending to recreate a nuclear
part of reality and make it perfect, just like art always
does. And if you are willing to draw that aspect into
your listening enjoyment, then "Cashew Fenny" provides
the energy you are urging for.
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| review: tadah
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