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producers: boots riley, pam the funkstress, eddie from soulfuric nation, brother k.
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| guests: f.t.s., e-roc, del tha funkee homosapian |
| tracklisting |
| 1. The Shipment |
| 2. Me And Jesus The Pimp In A '79 Granada Last Night |
| 3. 20,000 Gun Salute |
| 4. Busterismology |
| 5. Cars & Shoes |
| 6. Breathing Apparatus feat. E-Roc |
| 7. U.C.P.A.S. feat. F.T.S. |
| 8. Pizza Man (Skit) |
| 9. The Repo Man Sings For You feat. Del Tha Funkee Homosapien |
| 10. Underdogs |
| 11. Sneakin' In |
| 12. Do My Thang (Skit) |
| 13. Piss On Your Grave |
| 14. Fixation |
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| Steal
This Album |
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Undeniably funky. Not
jazzy funky, but phat ass-plain rear end-rotten-dirty-funk
funky. Thats The Coup. Now mix that blues-roots-funky
with conscious rhymes, and you really got the Coup.
Check "Kill My Landlord" where Boots writes
in the sleeve notes: "theres hella shit on
this album thats naked-live, original basslines,
hard to find drum samples, other live instrumentation,
etc.". Same here. Yes, check the drums. Oh, and
did I mention this is the funk?
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And then there was the
other album "Genocide & Juice" with the
classic "Fat Cats, Bigga Fish", and the unofficial
inspiration to the movie 'Bulworth': "Pimps".
Never heard of that? Awww, man!!!
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Well just listen to
"The Shipment"
and you know what Im talking about. For example,
check out his lines, "I slang rocks, but Palestinian
style". See, Boots is known for his strong political
and social beliefs, and you will hear them throughout
the album; He does not always shove them down your throat
and the message is more subtle. However, at times he
is more direct, like on "20,000
Gun Salute". But often times, Boots
uses characters like Jesus the Pimp (in the story telling
"Me And Jesus The Pimp
In A 79 Granada Last Night"),
the Repo Man, or stories like "Busterismology",
to show you which illnesses he tries to rip out of the
dying body of this society.
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E-Roc, original member
of The Coup, joins them back on "Breathing
Apparatus", where Boots tells the world
"Im a Communist", and where he spits
"my medical plan was to not get shot". Another
high caliber collaborator is Del, courtesy of the Hieroglyphics,
on "The Repo Man Sings
For You".
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Because of the strong
militancy of Boots, him pissing into a coffin, talking
about "44-caliber shots aint discreet",
it will be hard to listen and to like and enjoy The
Coup, if you dont share the socialistic views
and ideas of Boots. Not when things get emotional and
supportive on "Underdog"
though, where he shows his solidarity with everybody
in the struggle, rhyming "you feel like swingin
haymakers at a movin truck / you feel like laughin
so it seems like you dont give a fuck / you feel
like gettin so high, youll smoke the whole
damn crop / you feel like cryin but you think
that you might never stop".
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It feels good having
an intelligent person in hip hop, expressing his views
on society, using hip hop as his medium. The revolution
of the 88 era has now long ceased, but minds like
Boots are still keeping up the consciousness. And even
though hes not the only political rapper out there,
since rap that talks about Christianity or the Islam
are also political, they are just less recognized as
that. So do we want ideas as controversial as communist
views being spread out to the masses through music?
Yes, why not? This album offers alternative ways
of thinking about the state of things in our society.
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Maybe some of the politically-minded
lyrics on this album will inspire more rappers and listeners
to re-think their thugness and positions, and again
consider hip hop as a meeting-ground for the exchange
of enlightening, educational and thought-provoking ideas.
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An old saying goes that
"the wise man speaks because he has something to
say, while the foolish man speaks, because he has to
say something". Hopefully, those of who enjoy good
music can decide for ourselves what kind of men we're
listening to.
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| review: tadah,
with additional contribution by j cross
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