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producers: triangulum
productions, god war.
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| guests: pilot
rase, lucky locs, young joseph, imperial 1. |
| rating |
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| tracklisting |
| 1. My Path |
| 2. Relentless Beat |
| 3. Weight (Interlude)
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| 4. The
Meaning |
| 5. Chaos Riff (Interlude) |
| 6. Snakebite
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| 7. Warp Zone (Interlude) |
| 8. Secret Room feat.
Lucky Locs |
| 9. Dart feat.
Sgt. Crackadome |
| 10. Growl (Interlude) |
| 11. Follow Assume |
| 12. Throw
Aways feat. Young Joseph, Pilot Rase |
| 13. The Connection
(Robot) |
| 14. Foundations Freestyle |
| 15. Something Diff |
| 16. Interlude |
| 17. Dark, Dim, Hazey |
| 18. Light Trance
(Interlude) |
| 19. What
Was Given feat. Imperial 1 |
| 20. Consumers
(Interlude) |
| 21. We The People
feat. Pilot Rase |
| 22. Heavenly Harps |
| 23. Survive |
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| Paraphernalia |
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There's not much need
to go into an introduction paragraph, especially as
there are 23 entities on "Paraphernalia" to be talked
about. And Triangulum Productions doesn't allow us an
intro as well. And so "My Path"
opens with cluster structures, that definitely belong
to North Cali, with the walking words then taking us
to "Relentless Beat".
In a way, this is rather 'gangsta', as a RBL, JT, Dru
or a 3x could have picked something like this. The track
centers around the chorus and instrumental part for
much of it, and then finishes quickly, again keeping
the track short. The "Weight
(Interlude)" is a mocking phone call, while
the Ghost War produced "The
Meaning" is keeping the sounds in the
neighborhood, with the piano just being beautiful. "All
these humans must be good for something" is a deep realization,
and their search for meaning behind what is hard to
accept, shows a mental maturity, rarely accomplished
once there is demand for it. This track is quality.
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On "Chaos
Riff (Interlude)" Pilot Rase strikes his
guitar once and we are already listening to the Dr.
Who inspired "Snakebite",
again produced by God War, and again cool. The next
interlude ("Warp Zone")
is already onto us and bathing us like a waterfall.
What has us approach "Secret
Room" feat. Lucky Locs refreshed, and we
just need to get some of the water of our ears, as the
mixing is rather challenging on this, with especially
one voice being burred within the track. "Dart"
opens with a clearer drum and small sparkling bells
that take the front as opposed to the voices, one of
them being by Sgt. Crackadome. The words are flying
toward the dart board and seem to circle the center
with a flow that is putting the words together like
links in a chain. And the words capture descriptions
of actions, that seem to be imposed by their fantasies,
and hard to follow in a linear thought progression.
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Another interlude, this
time a "Growl" by
a dijeridoo is taking us to "Follow
Assume", that is a self reflection at times,
combined with siren like guitar sounds. Now we welcome
more guest on "Throw
Aways", that features Young Joseph and
Pilot Rase. This track elevates itself from the grit
level, it separating itself with lyrics intending to
live up to what they are claiming. Those modem sounds
then are hard on "The Connection
(Robot)" and with "Foundation
Freestyle", paper is crumbled up, showing
that these verses have not been written down. We are
then led to "Something Diff",
that once more does not try to hide the North Cali background.
Quite self confirming, the lyrics talk about boosting
the courage and confidence in the emcees. The sounds
are furthered on the quick "Interlude",
that's pretty much a spacey growling. Hectic and giving
us an insane feel, "Dark, Dim,
Hazey", is built upon a clicking drum and
few other sounds, that suddenly stumble with the monographic
words.
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Once more an interlude
is transporting us from a to b, with the sounds of "Light
Trance" being especially magical. Scratching
is allowed to take up chunks of the track on "What
Was Given" feat. Imperial 1, who rhymes
over a low hum, that with the exception of the short
verse, is kept instrumental. "Consumers"
are wrapped up next and "We
The People" feat. Pilot Rase is taking grip
of the mic, to have the emcees address the listener.
We are listening to the people, like we are a therapist,
and try to catch all that the emcee's heart pours out.
"Heavenly Harps"
push us forward to the cool "Survive",
that's built on top of the guitars played by Rase. And
this last track sounds like the comforting light at
the end of the tunnel for every musician that gets too
much drawn into the creation of his art, now being let
go, after the tight grip imposed on him for the time
being.
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Yes, we are likely to
forget about the levels of options to create something,
some people have. Being so used to the funkiest recording
quality, by the most underground head, we are often
misunderstanding the 4 / 8 track aesthetic heard on
this CD. However, this style seems to have a respected
place in the west coast life. And as this also features
a North Cali aesthetic in the way it sounds, it provides
a possibility to catch a glimpse of how things are done
over there. What of course and at the same time, makes
it the pick of choice in its homeland.
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| review:
tadah |
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