|
| And so we've already
heard three different versions of about roughly
one tale, and we've only reached the end of the
first half. And on "Doorbell"
we again are promised a regular start, with the
destruction playing Jekyll and Mr Hyde. But Daedelus
really makes it hard for himself. He could compose
these songs sweet, plush and boring. But instead
he continues to remix his own ideas at the very
moments his brain first utters them. But unlike
a Herbie Hancock solo, but like the chaos theory,
the songs still stay between remarkable guidelines,
that allow everything, but that remain within relations
to each other. Meaning you still know what song
you are listening to, despite all the changes, add
ons and thorough mess arounds. |
| Because Daedelus is a master of
parallel progression. The drum and bass structures
of "Doorbell"
seem separately developed from the rest, to then
perfectly fit. "Back
Doorbell" further deconstructs the
background, while the forefront is settled in a
sweet summer stream of light and colors. The backyard
so seems to be definitely something Daedelus prefers.
We are not yet completely sure if we prefer the
original or the "Busy
Signal (Prefuse 73 Remix)". Although,
the latter has some very good aspects about it:
it got a groovy rhythm, full grown head nod factor,
and the regular choppiness of a Prefuse track. But
he's utilizing what Daedelus put in front of him,
making this a working second version. |
| And he's completing
the six quick songs on Eastern Developments. Speaking
of Eastern, Daedelus certainly enjoys going on the
egg hunt. Because just like searching for eggs during
Eastern, his sounds must come from continues sample
hunting. Plus odd sounds recordings, plus working
a lot and more with them in the lab. And the chaos
of his studio, as drawn on the cover, promises a
lot of good hiding places. With the chance being
good that one or two ending too well hidden to be
quickly found. Like all the details on this record,
that you'll only discover with time. |
| review:
tadah |
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