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| What is exactly what happens here. There's still all the adventures in bleeps, glips, glogs, voices, samples, sounds, zips, wvvrooms, and etc. Daedelus is never one to do simple songs. His beats are more rococo, than they are Bauhaus. And in such an elaborate setting,
a rethinking changes things. Either for real or just imaginatively. As it's quite a sport to compare the two versions, the one with vocals and the ones without. By the way, the other is reviewed here. |
| You'll obviously recognize the songs, as they are essentially the same. What also makes some of those favorites your now favorites, like "Name Game" and "Bright Stars"
of course. But as the attention and balance is completely different, there's suddenly moments that make more sense to you here and now. And there's even parts, like parts of "Missing" or "Hardly Hip Hop", that lack familiarity. There's longer versions, there's spread moments, there's
a detour where there used to be a straight pathway. Everything just seems a little shook up. |
| And it probably is. As said, it's a sport to compare the two versions, and be it just to point out the details that you have missed up until you get this cleaned messed up version. There's a completely different kind of fun in here, also because we are relieved that
the words don't bombard us any longer. That makes this a somewhat more relaxed listen, as attentive your ears still need to be. |
| So basically, this album was excellent with words. It's not lacking any charm without words, but offers us parts of the vision in a somewhat clearer kind of way. Therefore, there might be things that were taken away, but that actually doesn't take away anything from
this album. |
| review: tadah |
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